In Smith’s latest film, Swallowed, he once again returns to the genre focusing on a storyline that pushes the boundaries of conventional body-horror when two queer friends find themselves in a precarious situation after a drug run goes bad. That is until 2019 when his queer horror slasher, Midnight Kiss, was released as part of Blumhouse’s horror anthology, Into the Dark.
Smith’s terrifying novel, “The Ruins.” An underappreciated horror film that is a masterclass in building dread, I was shocked to see Smith fade into horror obscurity shortly after its release. Writer-director Carter Smith first appeared on my radar with his 2008 adaptation of Scott B. Reading Time: 3 minutes Guest Post by Shannon McGrew
